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#PRINCE OF PERCIA MOVIE MOVIE#
Overall, El Mayimbe loves the script and forsees it becoming a major film franchise.Īnnounced at DICE in 2004, the Prince of Persia movie is being produced by Jerry Bruckheimer ( Pirates of the Caribbean) for Walt Disney Pictures, with Transformers director Michael Bay reportedly attached to the project. It also reveals that the script superficially calls for the use of parkour, the gravity-defying street gymnastics used in Casino Royale's opening chase scene.
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This week, reviewer "El Mayimbe" recapped the script for the forthcoming film adaptation of Ubisoft's Prince of Persia: The Sands of Time.Īfter writing at length about his days as a gamer, El Mayimbe reveals some plot details about the film, which he describes as a "9th Century Indiana Jones." Without revealing any of the spoilers in the review, it confirms the movie will stick close to the game's plot. When those you know reflect upon Prince Of Persia’s high level of religious subject matter, remind them of where they can find meaning deeper than a videogame.More than a year and a half after it acquired an early draft of the Halo movie script, has apparently scored another game-film coup. Prince Of Persia’s loose references to Christianity – such as one “pure” person sacrificing themselves, so “the gods” don’t destroy humanity as punishment for its sins – have no direct link to Christianity itself.ĭue to Christian teaching and imagery being familiar to many people worldwide, movies and other popular art forms frequently inject Christian concepts into other religious contexts. The overall impression of divine power offered by Prince Of Persia is similar to how many in the modern world profess belief in a higher being, yet the shape, worship, relationship, obligations and evidence associated with this deity (or deities) is a matter of individual invention. Instead, insights and information don’t go beyond new-agey, vague statements such as “you have discovered a new sense of spiritual awareness” or “their faith has little love for any truth but its own”. The king is a righteous and loving monarch who wants his sons to learn. The king also espouses the idea that a great leader does whats right even if its not popular. The most important message of the movie is that the bonds of brotherhood and family should be stronger than greed, competition, envy. What these faith systems are is never explained. The parents guide to whats in this movie. Tamina and Dastan are from different kingdoms which follow different religions. Words like “the gods”, “destiny”, “fate” and “faith” are loaded terms, rattled off willy-nilly in Prince Of Persia, used for their mystical properties rather than any substantial portrait of a superhuman force or a real God beyond ourselves. A destiny,” Tamina tells Dastan who, as a boy, was saved from being an orphaned street kid by the Persian king. So, while you won’t get much out of watching Prince Dastan (Jake Gyllenhaal) and Princess Tamina (Gemma Arterton) trot about ancient Persia, keeping the powerful “Sands Of Time” away from the baddies, this disappointing blockbuster does contain fuel for discussion. Only the opening raid on a fortified city offers much in the spectacle department, and the story, characters and situations rarely fire up. Sadly, like every game-to-movie transfer (from Tomb Raider to Hitman), Prince Of Persia is about as adrenaline-pumping as knitting. 'Prince Of Persia: The Sands Of Time' is a big-budget blow-out, a drab attempt to finally make a decent movie from a videogame.